On Sunday, March 16, 2003, the Kenyan urban music scene was in shock. Issah Wangui Mmari was dead. He and his colleagues, among them David “Nameless” Mathenge, had been involved in a road accident at Elementaita on the Nakuru-Nairobi highway.
Fifteen years later, Issah, popularly known as E-sir, through his music, still lives. His immortalization is, however, a factor of his death, rather than his music. E-sir’s music is average, the lyrics meaningless, and its positive social impact, if any, untraceable.