× Digital News Videos Africa Health & Science Opinion Columnists Education Lifestyle Cartoons Moi Cabinets Arts & Culture Gender Planet Action Podcasts E-Paper Tributes Lifestyle & Entertainment Nairobian Entertainment Eve Woman TV Stations KTN Home KTN News BTV KTN Farmers TV Radio Stations Radio Maisha Spice FM Vybez Radio Enterprise VAS E-Learning Digger Classified Jobs Games Crosswords Sudoku The Standard Group Corporate Contact Us Rate Card Vacancies DCX O.M Portal Corporate Email RMS


EUNICE NJERI: Budding with every new hit

By - | Jan 26th 2013 | 5 min read

EUNICE NJERI, 30, is an award winning gospel musician famed for her popular gospel hits Umeniweza and Bwana Yesu among others. She is also a staunch Christian and a praise and worship leader. She spoke to NJOKI CHEGE

Eunice Njeri’s soft-spoken personality hardly matches her big and powerful voice that has, for a long time, rocked the airwaves. But that seemingly soft nature belies the strong character of a multi-award gospel musician whose deep lyrics have touched many souls and transformed lives.

Eunice may be a little camera-shy, but her ambition is not. Her journey through life is a testimony of her victory over a tough world.

“I was a sickly child,” she begins. “In fact, my mum told me the other day that the devil started fighting me from the moment I was born.”

Eunice recalls battling serious bouts of anaemia, typhoid and malaria as a child, which on numerous occasions forced her to stay away from school (Nanyuki Baptist and Laikipia Airbase primary schools), sometimes for months at a time.

“I was tired of this,” she says, “and I remember a time when I was in Form Three (at Hill School, Eldoret). I prayed and promised God that if He healed me and helped me pass my exams, I would serve Him for the rest of my life.”

God must have heard her prayers because shortly after that, Eunice’s health problems reduced — and with time, disappeared. In addition, she passed her KCSE exams, albeit not well enough to make it to university.

Since her parents lacked the money to enrol her into college, Eunice did a few jobs in Nanyuki, her hometown.

“You know, people in the rural areas find Nairobi scary... in fact, too scary for a young girl to survive,” Eunice jokes.

But she chose not to be afraid. Instead, she decided to hop into a bus headed to Nairobi in the hope of changing her life’s fortunes. She ended up in Kangemi, but life in the capital city did not go as expected.

“Life was tough,” Eunice recalls. “Many people may not believe it now, but I spent numerous nights sleeping out on benches, in the cold, and without food in my belly.”

This was a startling beginning for a woman whose life today is blessed materially. It is these humble beginnings that inspire many people still struggling from day to day, with hopes of better tomorrow.

Eunice’s fortunes began to change when she and a friend agreed to rent a single room together and share the Sh1,000 monthly rent. For the next two years, Eunice ‘worked’ in a church in Kangemi, leading praise and worship in the morning, afternoon and evening services. For her efforts, Eunice received a little token of appreciation from the church, which she used to pay her rent and meet her other needs.

Music had always fascinated Eunice, and her deep voice was recognisable everywhere she went, from her childhood through school and to her church, leading the choirs as she went along. Her favourite musicians were (and still are) the late Angela Chibalonza (once her mentor prior to her death) and Cece Winans. 

“In 2006, I made the decision to focus more on music,” Eunice says. “I knew I wanted to produce gospel music, but I had no money. I approached a few producers, but they all turned me away because I could not afford their recording fees, which I found too high.”

Not one to give up easily, Eunice ventured to River Road, Nairobi, where she met John Nyika, a producer. He agreed to record her music at Sh50,000. She only had Sh9,000, which she paid to start off her journey, but with the hope that she would raise the balance.

“I remember it was a new studio, because I could smell paint as we recorded the music,” she says.

Extremely shy

That evening and for a few more nights, Eunice sank to her knees, praying fervently and pleading with God to give her another break. Her prayers were answered and a few days later, a church member, hearing of her plight, offered to finance the rest of her music recording. And with that, the single Bwana Yesu was produced and released. Eunice was only 24 years then.

Despite this achievement, radio stations were not as enthusiastic and did not immediately embrace her single. It didn’t help much that Eunice was extremely shy, could hardly sit through a media interview without feeling like running, and was clueless on the dynamics of both the music and media industries.

“Now I know better and I often tell fellow musicians not to sign any contract in the absence of a lawyer,” she says.

Her maiden video, Umeniweza, launched in 2008, broke through the industry and the media, opening doors for her that she had never imagined. There was no turning back.

“My first album opened doors for me. On several occasions, I was invited to lead worship in huge events, such as the Totally Sold Out (TSO) concerts hosted by K-Crew, as well as The Call Kenya,” Eunice says.

Her music has also seen her travel to, among other countries, Congo, Rwanda and Netherlands to spread the gospel.

Following the unprecedented success of the first album, Eunice began recording her second album, which included the hit tracks Natamani, Naruka Kama Ndege and Nguvu ya Msalaba.

Ever prayerful

Barely a year after the release of her first album, Eunice surprised many when she was presented with a surprise award — the Groove New Artist of the Year Award.

Later, Eunice was nominated for various categories in 2009, 2010, 2011 and last year, but it was only in 2011 that she won the Groove Songwriter of the Year Award.

At the moment, her Nimekubali hit single is ruling the airwaves and she is set to launch her third album by the end of this month.

The gospel music sector is often rocked with challenges, usually of a spiritual nature. Musicians become victims of their success and fame, and get embroiled in morally questionable behaviour. The strong ones survive, but the weak ones disappear forever from the music charts.

“As gospel musicians, we survive by the grace of God,” says Eunice, who has thus far managed to steer clear of scandals. “It is, however, important to remain prayerful because God covers your mistakes and makes them work for your good, and not for your downfall,” she concludes.

Share this story
Madd Madd World : 26.01.2013
Madd Madd World : 26.01.2013
When Njonjo almost resigned over coffee smugglers
Known as the era of black gold, it began in 1976 when Ugandan farmers decided to sell their coffee in the private market.