It was unimaginable to mix white sins and black sins. To achieve this, every time the six centre pieces hit the walls of the gigantic bells in a rhythmic order, the white congregants would meekly enter the porch and occupy the 15 wooden pews.
One level above the 20 or so worshipers, a pair of six black hands would alternately let loose the nooses and wait, without a word being uttered so as not to contravene the notice nailed on the wall.