Ferdinand ‘Clifford’ Ndung’u Waititu appears to be in a permanent state of consternation, with eyes wide open, but that’s only because he is constantly surprising himself.
One moment he is busy rationalising his ruffian traits as expressions of his unique brand of “social” activism meant to “recover” stolen public lands, and to scare away land-grabbers; the next, he is busy expounding on his visions of Nairobi, as discerned from the graffiti bearing his name.