In a Nairobi city hotel, senior lawyer Evans Monari took a saxophone breathed into it for a tune of an 1980s soul classic give me the night by George Benson, which played in the background.
Clad in a dark suit, cuff linked white shirt, a dotted tie, and his chef-d’oeuvre (masterpiece) watch on his left hand; he blew a bunch of fast notes into the gold-coated instrument, bent to squeeze another high, and raised it high in the air when he needed a low key.