“I’m Mutoriah,” he says quietly when asked to introduce himself. “An artiste and music producer. Music is my first love, and I do it passionately.”
Over the past year, Mutoriah has been doing something few Kenyan artistes have dared to attempt at scale: reintroducing his own music to audiences through the grand, demanding language of a full orchestra.
That passion was on full display in Mutoriah & the Orchestra 2024, a project that did not merely revisit his catalogue but reimagined it, stretching familiar songs into cinematic soundscapes. In an industry obsessed with constant novelty, Mutoriah chose reflection; and risk.
The idea to return to music fans already knew, instead of rushing forward with new material, was intentional. For Mutoriah, the orchestra was never about nostalgia; it was about value.
“The main goal was to create experiences that give fans value for money,” he explains. “Playing music with an orchestra is unique in our market, and it’s a challenge I’ve taken up.”
Known primarily as a producer who thrives in solitary studio environments, Mutoriah took on an unfamiliar role as musical director for the orchestral project. The transition was anything but smooth.
“It was a challenge working with such a big group — planning schedules and rehearsals was new territory — and, accustomed to controlling every sound alone, the biggest adjustment was learning to communicate his vision clearly under pressure, within restricted time, and to trust the orchestra.”
That trust was tested and rewarded in moments that could not be scripted.
Songs like Beta and Tosheka, already beloved by fans, emerged transformed; fuller, warmer, almost reborn. But it was an unrehearsed moment that truly captured the spirit of the project.
“The fans requested a song we hadn’t rehearsed,” Mutoriah recalls with a laugh, explaining that he started playing keys and the orchestra and band seamlessly joined in, creating a moment so smooth that “I doubt anyone noticed it was unrehearsed,” a rare instance where preparation met instinct and musical trust turned into magic.
For Mutoriah, the audience became an invisible but vital member of the ensemble.
“My fans know the songs word for word,” he says. “It’s always exciting to sing with them.”
He pauses, choosing his words carefully.
“There’s something about many people in one physical space for a joint purpose. The energy is magical.”
That energy shaped not just the performance, but the recordings themselves; embedding emotion into every note.
“I wanted the set to be different from the previous year,” he explains. “So instead of calling Aliye, we sang with The Babaz and Ach13ng’.”
One of the most striking reinventions came with Presha.
“We switched verses with Serro,” Mutoriah says. “It gave the song new life.”
Kenyan music has long been associated with beats, loops and digital precision. Introducing orchestral arrangements into that ecosystem is, in Mutoriah’s view, both timely and necessary.
“The live music lovers’ market is still young,” he says. “But it has a lot of potential to grow, especially now that people are actively looking for communities.”
“This is the best time to invest in the music industry,” he adds, “before the stakes are too high and everything becomes too expensive.”
Even as the orchestra echoes fade, Mutoriah is already charging into a new chapter. He kicked off 2026 with a single released on January 1, and a full album scheduled for February.
“The album is dropping in February,” he confirms. “I’ll do follow-up collaborations and singles.
The plan is ambitious: a single every month throughout 2026.
“The music is already recorded,” he says. “The plan is already underway.”
Compared to Mutoriah & the Orchestra 2024, the upcoming album promises a more intimate emotional terrain.
“It’s honest,” he says. “Vulnerable. It touches on money, love, relationships even politics.”
It is a project rooted in the now, reflecting both personal growth and societal realities and creatively, Mutoriah says he is no longer chasing hits.
“I’m creating music for my core audience,” he explains. “I’m not too concerned about making hits. It’s about creating material for my true fans and converting that into a community that can be monetised to sustain the business side of brand Mutoriah.”
Mutoriah’s sound; a blend of electronic textures and organic instrumentation, has become his signature. He calls it “electro Afro-pop,” and insists the balance is intentional.
“It’s conscious,” he says. “The goal is to create timeless music.”
For him, fusion is not trend-chasing, but tradition-building.
“There’s something timeless about fusions.”
The upcoming project has revealed something fundamental.
“I’m my first audience,” Mutoriah reflects. “I need to serve my soul first. Only then, can the music truly resonate outward. If my soul is satisfied, the music will satisfy other souls as well.”
When asked how he hopes this period; the orchestra, the new single, the upcoming album; will be remembered, Mutoriah does not hesitate.
“As a risk-taker,” he says. “One who doesn’t follow trends but leads them. One who believes in the power of music to lead the way.”